Post was not sent – check your email addresses! In other languages Add links. Music, Text, and Culture in Ancient Greece.
Notify me of new comments via email.
Arsis and thesis originally seem to have mussique the raising and lowering of the foot in marching or dancing. In the later works of Latin writers on metre, the arsis is invariably considered the first part of the foot see below.
A Dictionary of Music and Musicians/Arsis and Thesis
When it is on the ground. However, because of contradictions in the original definitions, writers use these words in different ways. Google ngrams “arseis” is not found on ngrams, though used by Lynch According to a treatise known as the Anonymus Bellermanni these dots indicate the srsis of the foot; if so, in this piece the thesis comes first, then the arsis.
Thurmond describes the concept of Arsis upbeat and Thesis downbeat in music. The Roman writer Marius Victorinus 4th century ADin part of his work attributed to a certain Aelius Festus Aphthoniusgave both definitions thesos he wrote: The first act of life is arsls intake of breath Arsis. Aristides Quintilianus 3rd or 4th century AD writes: A similar use musiqhe the terms arsis and thesis is found in medical writing with reference to the pulse of the blood.
For example, it is believed that Aristides Quintilianus 3rd or 4th century AD adopted much of his theory from Aristotle ‘s pupil Aristoxenus 4th century BCwho wrote on the theory of rhythm. A Greek work on metre, the Anonymus Ambrosianus compiled in the 13th century ADrefers the words arsis and thesis to a whole line: Views Read Edit View history.
Skip to content May 27, Justin Petersen.
New Oxford English Dictionary ; cf. Leave a Reply Cancel reply Enter your comment here Previous post Memorial Day Reflections….
A Dictionary of Music and Musicians/Arsis and Thesis – Wikisource, the free online library
Writing about rhythm rather than metre, Aristides Quintilianus appears to have been using the second definition when he wrote: When applied to beating time, arsis indicates the strong beat, and thesis the weak: It has two parts: According to Stefan Hagel, it is likely that within the thesis and within the arsis bar divided into two equal parts, there was a further hierarchy with one of the two notes stronger than the other.
The reader will gain a greater understanding of how their inherent musical properties can be brought out from a rhythmic perspective and lead to more expressive performance.
When applied to the voice, a subject, counterpoint, or fugue, are said to be ‘per thesin,’ when the notes ascend from grave to acute; ‘per arsin’ when they descend from acute to grave, for here again the ancient application of the ideas of height or depth to music was apparently the reverse of our own. When our foot is in the air, when we are about to take a step.
In music, arsis is an unaccented note upbeatwhile the thesis is the downbeat. The ancient Greek writers who mention the terms arsis and thesis are mostly from rather a late period 2nd-4th century ADbut it is thought that they continued an earlier tradition. I agree with much of it, but one glaring contradiction keeps popping up on my mind: However, in other Greek writers from Plato onwards, the word basis referred to the whole foot i.